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Competing for Attention: An Empirical Study of Online Reviewers’ Strategic Behavior


This is a review of the paper “Competing for Attention: An Empirical Study of Online Reviewers’ Strategic Behavior’ written by Shen, Hu & Ulmer (2015).

Introduction
In 2007, a study by Deloitte found that 62% of consumers read consumer-written online product reviews, and among these consumers, 82% stated that their purchase decisions were directly influenced by online reviews. Shen, Hu & Ulmer (2015) argue that these percentages would be higher if the study were to be replicated today, as consumers increasingly rely on online opinions and experiences shared by consumers when deciding what product to purchase. As such, it is important for companies to understand what incentivizes online reviewers to actually write reviews and what the effects of incentives are on the content of their reviews (Shen et al., 2015).

The authors argue that there is a large body of literature on online product reviews, but that this existing body of literature has failed to look at how online reviewers are incentivized to write reviews (Shen et al., 2015). This includes studies such as by Basuroy et al. (2003), who looked at numerical aspects of reviews and studies such as by Godes & Silva (2012), who looked at the evolution of review ratings. However, the authors note that a large part of existing research simply assumes that reviews are written for the same motives that offline consumers have when they provide word-of-mouth reviews (Dichter, 1966).

With this gap in mind, the authors drew from literature in other contexts, such as motivation for voluntary contributions in open source software and firm-hosted online forums. Building on this literature, the authors propose that gaining online reputation and attention from other consumers is an important motivation for their contribution to review systems (Shen et al., 2015). In order to explore this, the paper “empirically investigates how incentives such as reputation and attention affect online reviewers’ behaviours” (Shen et al., 2015, p. 684).

The Methodology
In order to conduct this empirical investigation, the authors use real-life data of online reviews of books and electronics, gathered from Amazon and Barnes & Noble (Shen et al., 2015). The data was collected on a daily basis and allows for a comparison both across product categories as well as across different review systems (Shen et al., 2015). Amazon and Barnes & Noble were selected because they are the two largest online book retailers and have two distinctly different review environments (Shen et al., 2015). Whereas Amazon ranks reviewers based on their contribution, allowing the reviewers to build up a reputation and consistently gain future attention, Barnes & Noble does not offer any of this (Shen et al., 2015).

The authors gathered a sample that includes all books released between September and October 2010, resulting in a sample of 1,751 books with 10,195 reviews (Shen et al., 2015, p. 685). Additionally, the authors randomly selected 500 electronic products on Amazon in order to allow for cross category comparison with the findings resulting from the analysis of the book reviews, allowing the authors to generalize their findings (Shen et al., 2015).

Based on this data, the authors look at two review mechanisms at two levels, namely the product level and the review rating level.

At the product level, the authors study how popularity (determined by the sales volume of the product) and crowdedness (measured by the number of preexisting reviews for the product) affect a reviewer’s decision on whether to write a review for a product (Shen et al., 2015). Additionally, the model controls for potential reviewers (in order to control for the possibility that an increasing number of daily reviews is due to an increasing number of potential reviewers over time) and the effect of time, in order to control for the issue that reviewers might lose interesting in writing reviews for products that have been out for a while (Shen et al., 2015). The resulting model for the product level can be found below:

https://lh3.googleusercontent.com/wUcjn8yBi79VRix7izp_Li-WSi09cca26nWw4Sx02Vopa8UlFegJ1vpLX9VsGaOBhvnq-tol3oByuZa-EercwfQ_aLaNsplYBvOhUWLfgNG-BgloPMyaBSQ-vuRME-waI37QirgGyr4

At the review rating level, the authors study how reputation status affects reviewer’s decisions on whether to differentiate from the current consensus (Shen et al., 2015). They look at how a target rating deviates from the average rating, indicating how differentiated the rating is (Shen et al., 2015).

Main Results
The main results stemming from this study are that online reviewers appear to behave differently when they have strong incentives to gain attention and enhance their online reputation (Shen et al., 2015). Looking at popularity, online reviewers tend to select popular books to review, as this would allow them to receive more attention (Shen et al., 2015). As for the crowdedness, it was found that fewer reviewers will choose to review a book if the review segment becomes crowded, indicating that reviewers tend to avoid such spaces as they would have to compete for attention (Shen et al., 2015).

Next to this, differences in the results between Amazon and Barnes & Noble indicate that in online review environments with a reviewer ranking system, reviewers are more strategic and post more differentiated ratings to capture attention, doing so to improve their online reputation (Shen et al., 2015). In turn, this reviewer ranking system intensifies the competition for attention among reviewers. Next to these main findings, the authors ran some additional analyses to further understand online reviewers behaviours (Shen et al., 2015).

Running the same analyses on the electronic products dataset yielded consistent results. As such, the authors argue that their findings are robust (Shen et al., 2015).

Adding onto their results, the authors argue that with a reviewer ranking system through which reviewers can build up their reputation, opportunities arise for reviewers to monetize their online reputation by receiving free products, travel invitations and even job offers (Coster, 2006).

Strength & Managerial Implications
The main strength of this paper is in its use of real-life cases and the practical implications for online review systems and companies that make use of these review systems.

As reviewers respond strategically to incentives such as a quantified online reputation, this can be used to motivate reviewers consistently (Shen et al., 2015). An example of this is TripAdvisor’s profiles and contributor badges (as seen in the picture to the left).

Additionally, as reviewers are more likely to write a review for popular but uncrowded products, companies can make use of this by sending review invitations to niche product buyers and emphasize the small number of existing reviews or even by highlighting small numbers of existing reviews in the design of the website (Shen et al., 2015).  As companies have their own specific goals, they may develop their own algorithms for selecting certain groups of reviewers to receive review invitations, rather than sending these invitations to every buyer, as is currently the common practice (Shen et al., 2015).

Lastly, reviewers that consistently offer highly differentiated reviews should carefully be taken into account by companies as these reviewers might simply be trying to game the system rather than serve the purpose of the review of signaling product quality (Shen et al., 2015). This can be through the use of ranks, but also other signals, such as “helpfulness” votes or even altered algorithms for such reviewers.

References

Basuroy, S., Chatterjee, S., & Ravid, S. A. (2003). How critical are critical reviews? The box office effects of film critics, star power, and budgets. Journal of marketing67(4), 103-117.

Coster, H. (2006). The Secret Life of An Online Book Reviewer. Forbes, December1.

Deloitte. (2007). “Most Consumers Read and Rely on Online Reviews; Companies Must Adjust,” Deloitte & Touche USA LLP.

Godes, D., & Silva, J. C. (2012). Sequential and temporal dynamics of online opinion. Marketing Science31(3), 448-473.

Shen, W., Hu, Y. J., & Ulmer, J. R. (2015). Competing for Attention: An Empirical Study of Online Reviewers’ Strategic Behavior. Mis Quarterly39(3), 683-696.

Group 10.

Netflix’s personalization taken to a whole new level?


When it comes to personalized recommendations, Netflix is a well-known player. Browse to Netflix and the first thing you see at the homepage is content adjusted to your interests, preferences and previously watched series and movies. The banner, carousels, the order of the shows, the text and the search: everything is personalized. These “recommendations for you” are not something new or special as you might think. Indeed, Netflix is not the only one who made personalization an important part of their business strategy. However, Netflix has recently stepped up their game when it comes to personalization.

By the end of 2018, Netflix announced that viewers will be able to choose the next storyline in an episode of a TV show or movie. On December 28th, Netflix released a 90-minute episode of Black Mirror: Bandersnatch. During different moments in the movie, the viewers get to decide how the story will continue. Is this the new innovative idea when it comes to customer experience and personalization?

Netflix as a well-known player in the market

Netflix is one of the first companies that saw the potential of streaming technology. Since 2007, when the company started with a subscription video-on-demand model, the service has reached over 130 million users in 2018 (Statista, 2019). According to Gomez-Uribe & Hunt (2015) an important aspect of the service of Netflix is the recommender system. Through the recommendation systems the users of Netflix can easily find videos to watch in every session.

Gorgoglione et al. (2019) argue that recommender systems are of strategic importance for online businesses. Recommendation systems refer to “web-based tools that tailor vendor’s offerings to consumers according to their preferences” (Li & Karahanna, 2015). The value of this personalized offerings can be seen in the fact that 80% of hours streamed by the customers of Netflix are determined by their recommendation algorithms (Gorgoglione et al., 2019). Since there are several kinds of recommendation engines with different performance metrics such as accuracy, novelty, diversity and trust, Netflix tries to search for the best algorithm (Gorgoglione et al., 2019. Next to this, Netflix is trying to handle issues related to the increasing number of customers and especially how to handle enormous stream of big data.  

“The personalized homepage of Netflix”

A new interactive viewing experience

One of the ideas Netflix recently incorporated, is thus a new interactive viewing experience for the users of Netflix. As this idea is not completely new and Netflix already offered this experience with children shows, the movie “Bandersnatch” is the first interactive show for adult viewers ánd the first big success within this format. Bandersnatch is a 90-minute episode of the Netflix series Black Mirror. Black Mirror is known for its critical commentary on technological developments and its impact on culture and society. In Bandersnatch, the viewers guide the protagonist Stefan through the episode by making a series of decisions (Ralph, 2019). These decisions influence Stefan’s life, experiences and mental state and result in different endings. The decisions that the viewers need to make differ from choosing between what Stefan has to eat for breakfast (Frosted Flake or Cheerios) or whether he has to jump off a balcony (Ralph, 2019).

“One of the choices in Black Mirror: Bandersnatch”

What is the value for Netflix?

What is interesting about this business model is that this form of interactive experience offers new data insights for companies such as Netflix. According to Damiani (2019), Netflix uses the gathered data from the user participation to create an internal programmatic marketing infrastructure. Since the viewers need to make real-life decisions about for example their product preference (such as the choice between the cereals), musical taste and engagement with human behavior, an individual personalized pattern can be discovered. Moreover, how users handle certain decisions (for example if Stefan has to jump off the balcony) offer insight about what the viewers want out of a story and what they want to see the characters in a story do (Damiani, 2019).

By analyzing this data, Netflix could even better personalize the content, but also associate products with specific content or demographics. An example that Damiani (2019) mentions is that the frosted flakes cereals could be associated with, for example, 18 to 24 years old men. This way, effective targeted advertising could take place. Another interesting part of the business model is that Netflix could work together with different brands to test their product designs. Think of the already described example of the breakfast cereal boxes as shown to the viewer with two different box covers.

What’s in it for the customer?

But what is the efficiency of the business model? What is the value for the customer? First of all, the experiences of the series are tailored to the needs and interests of the customer. Each customer has an individual and unique experience as they have to choose between different narratives. Moreover, it is interesting that in the example of Bandersnatch, the customer experiences a sense of power and control. Research have shown that increasing user experience increases user’s confidence in their ability to perform their tasks (Nysveen & Pedersen, 2004). By choosing between different options and determining how the story will unfold, the customers are in charge and can make the choices for themselves.  

It is interesting that the joint profitability of this business model is visible to both the customer and Netflix. With the interactive experience and thus through active customer participation and engagement, Netflix tries to uncover the hidden needs of the customers. As a result, Netflix can use this creative potential of their customers in new product and service development (Saarijärv et al., 2013). What is striking is that Netflix in fact guides the customers through different predefined choices creating the ‘illusion of free choice” (Ralph, 2019). Customers get the feeling that they are in control in the sense that they can literally determine whát and how they experience the content. Moreover, customers engage in personalized and unique experiences and eventually receive more content tailored to their preferences. Thus, through active customer participation the customers and Netflix together create greater value. However, the future will tell if this idea will pull off and will be long-lasting.

References

Damiani, J. (2019). Black Mirror: Bandersnatch could become Netflix’s secret marketing weapon. Retrieved 23-02-2019 from https://www.theverge.com/2019/1/2/18165182/black-mirror-bandersnatch-netflix-interactive-strategy-marketing.

Gomez-Uribe, C., & Hunt, N. (2015). The Netflix Recommender System: Algorithms, Business Value, and Innovation. ACM Transactions on Management Information Systems, 6(4).

Gorgoglione, M., Panniello, U., & Tuzhilin, A. (2019). Recommendation strategies in personalized applications. Information & Management.

Li, S., & Karahanna, E. (2015). Online recommendation systems in a B2C E-commerce context: a review and future directions. Journal of the Association for Information Systems, 16(2), 72-107.

Nysveen, H., & Pedersen, P. (2004). An exploratory study of customers’ perception of company web sites offering various interactive applications: moderating effects of customers’ Internet experience. Decision Support Systems, 37(1), 137-150.

Ralph, A. (2019). What Black Mirror: Bandersnatch teaches us about personalization. Retrieved 23-02-2019 from https://www.heyday.ai/what-black-mirror-bandersnatch-teaches-us-about-personalization/.

Saarijärvi, H., Kannan, P., & Kuusela, H. (2013). Value co‐creation: theoretical approaches and practical implications. European Business Review, 25(1), 6-19.

Statista. (2019). Retrieved 23-02-2019 from https://www.statista.com/topics/842/netflix/.